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Kunena
An open source project like Kunena requires the dedication and investment of personal time from various contributors. This version of Kunena Forum has been made possible by the following contributors (in alphabetical ordering):
Special thanks go to Beat and the CB Testing team, Ida and JoniJnm for significant contributions to Kunena. In addition many members of www.Kunena.com have contributed and helped make this a more stable and bugfree version. Our Thanks go out to all contributors of Kunena! Greetings from the global Kunena forum team!
Language credits :

English translation was made by Kunena Team with many suggestions and corrections from our community. We also like to give special thanks to all our translators, who have worked hard to localize Kunena to their own languages.
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Copyright © 2008, 2009, 2010 Kunena, License: GNU GPL

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Newsflash Archive

Rather than relying on an old standard track as an opener as so many bands do, last night at Orlando’s House of Blues Interpol started with a track from their forthcoming album aptly titled Interpol. This is easily one of the rawest, most authentic bands I’ve seen in longer than I can remember.

This band deftly ripped through nearly an hour and half of both old favorite tracks like “Rest My Chemistry”, “Evil”, “Obstacle 1”, “Narc”, “ PDA”,  “Wrecking Ball” and “The Heinrich Maneuver” while throwing in a balanced mix of forthcoming tracks, most notably “Barricade” and “Lights”.

In addition to an air-tight show, their encore consisted of four tracks including NYC” and “Stella Was a Diver and She Was Always Down” and ended with “Slow Hands”, which was anything but slow.  This show was brass knuckles without the anger:  strong, fervent, and a complete blow to the senses.

Fronted by the almost otherworldly deep-throated crooning of skinny, blonde Paul Banks and energized by the English import Daniel Kessler and drummer Sam Fogarino, Interpol didn't let up. Supported by newcomers Dave Pajo and Brandon Curtis, they were straightforward, professional, and didn’t spend time jerking around with lame introductions of band members or blowing smoke up the audience’s ass about how they’re the best audience ever

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