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Voice of Authority: Interpol Arrests House of Blues PDF Print E-mail
Written by Lisa Lippitt   
Friday, 20 August 2010 15:04

Voice of Authority: Interpol Arrests House of Blues Rather than relying on an old standard track as an opener as so many bands do, last night at Orlando’s House of Blues Interpol started with a track from their forthcoming album aptly titled Interpol. This is easily one of the rawest, most authentic bands I’ve seen in longer than I can remember.

This band deftly ripped through nearly an hour and half of both old favorite tracks like “Rest My Chemistry”, “Evil”, “Obstacle 1”, “Narc”, “ PDA”,  “Wrecking Ball” and “The Heinrich Maneuver” while throwing in a balanced mix of forthcoming tracks, most notably “Barricade” and “Lights”.

In addition to an air-tight show, their encore consisted of four tracks including NYC” and “Stella Was a Diver and She Was Always Down” and ended with “Slow Hands”, which was anything but slow.  This show was brass knuckles without the anger:  strong, fervent, and a complete blow to the senses.

Fronted by the almost otherworldly deep-throated crooning of skinny, blonde Paul Banks and energized by the English import Daniel Kessler and drummer Sam Fogarino, Interpol didn't let up. Supported by newcomers Dave Pajo and Brandon Curtis, they were straightforward, professional, and didn’t spend time jerking around with lame introductions of band members or blowing smoke up the audience’s ass about how they’re the best audience ever.  They came, they played, they kicked ass.  An occasional polite “thank you” and a “take care.  Thank you.  We’ve been Interpol.  Good night.” was a solid end to an incredibly solid show.  Other bands take note:  shut up and play.

As for the opening band Twin Tigers, someone please issue a DNR.

 

 

Last Updated on Saturday, 21 August 2010 21:23
 

Newsflash Archive

"We'd like to play the first gig on the moon," Steve Sparrow the frontman of UK band Morning Parade recently stated. For the time-being at least Morning Parade will have to settle for more realistic ambitions though it is clear it has set its sights on being a stadium-band. "We have a rule," the band told the Guardian. "Whenever we write something, we ask ourselves, 'Can you see 100,000 people singing this back to you?' If not, we get rid of it. We want to be huge." Through its "anthemic, electronicised rock for the masses" and a newly released debut single, "Under the Stars," Morning Parade is truly aiming for the stars.

"They fit the niche marked 'robust indie with stadium ambitions, passionate vocals and penchant for rave-rock rhythms' like a glove," Paul Lester reported in the Guardian. "A Delphic with the common touch."

"We'd be lying if we said that wasn't our ambition," Sparrow told Spinner. "The first gigs that I went to at 14-years-old were like Muse at Docklands Arena and that was amazing. We like the smaller venues as well but want to write songs that fill arenas."

Formed in Harlow, Essex by Sparrow and bassist Phil Titus, the band's line-up consists of childhood friends Steve Sparrow (vocals, guitar), Chad Thomas (guitar), Phil Titus (bass), Ben Giddings (keyboards), and Andy Hayes (drums).

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