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Brandon Flowers summons desert spirits on "Flamingo" PDF Print E-mail

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NEW YORK (Billboard) - While embarking on a solo career, Brandon Flowers has made it clear that his band, the Killers, isn't breaking up.

In fact, the singer says that the point of "Flamingo," due September 14 on Island Records, was to deliver these songs to the public so that his group could eventually return to creating as a cohesive unit.

"Of course, some of ("Flamingo") could have made for great Killers songs," Flowers says, "but I wanted the next Killers record to be a very strong collaboration. That's when we're at our best."

Instead of a vanity project or a means of separating Flowers from his platinum alt-rock act, "Flamingo" is the sound of the frontman's creative juices flowing while the rest of the Killers -- guitarist Dave Keuning, bassist Mark Stoermer and drummer Ronnie Vannucci Jr. -- took a break from the studio.

From the haunted stomp of "Only the Young" to the lonely falsetto of "Playing With Fire," "Flamingo" (named after Vegas' Flamingo Road) sounds like a more personal riff on the Killers' sound. Flowers, however, sees the album as an homage to his hometown and its barren surroundings: He says he wanted to "summon the spirits of the desert" on the album. "That's where I'm from and that's what I want to represent," Flowers says, "so I feel like it's my duty to conjure the spirits up with the music, and I do the best that I can."

He might downplay the solo effort as an intimate experiment between Killers discs, but fans of the band are certainly taking notice of the stopgap. The singer sold out his first solo show at the Hilton's Shimmer Room in his hometown of Las Vegas on August 15, and first single "Crossfire" is No. 16 on Billboard's Rock Songs chart.

After the Killers finished their third album, 2008's "Day & Age," Flowers started writing new songs intended for the group. Throughout the next 18 months of touring, including headlining slots at Coachella and Lollapalooza in 2009, Flowers says he would "duck into the studio every now and then and record ideas" during brief breaks on the road.

As the Day & Age tour continued, however, seven years of nonstop work had left Flowers' bandmates craving some downtime. The decision that the singer use the songs for himself after the tour seemed to work for everyone, and Flowers approached Island about a solo album during the summer of 2009.

"The songs were just there, and I decided that I'd be the delivery man," Flowers says, adding that the band was very supportive of the idea.

Flowers brought the new songs to his Battle Born studios in Las Vegas early this year, with "Day & Age" collaborator Stuart Price signing on to produce along with Daniel Lanois and Brendan O'Brien. All three producers helped make up Flowers' backing band, and Rilo Kiley's Jenny Lewis stopped by for the midtempo pop duet "Hard Enough."

After a European run, Flowers will return stateside in November for a national tour. And when the buzz around "Flamingo" dies down, Flowers will return to his refreshed bandmates and work on album No. 4.

"It's inevitable," he says. "2011 is going to be the time that I'm sure it will happen."

Last Updated on Monday, 13 September 2010 08:09
 
(UK)

Newsflash Archive

"Mona are Sun Studio’s Million Dollar Quartet (Presley, Perkins, Lewis, Cash) rebooted 54 years on," the band's Blog claims. "They’re rock revivalists, in the sense that they like, as Nick [Brown, Mona's founder and frontman] puts it, 'the golden age of the United States – the James Dean, Marilyn Monroe type stuff'.” Nashville-based Mona plays rock'n'roll "songs for the city folk" and its sound is a cross between the music of fellow Nashville band Kings of Leon and the American heartland rock of singer-songwriter Bruce Springsteen.

This iconography and idealism, the Blog quotes Brown as saying, informed the writing of "Listen to Your Love" – and the reasons why it became the band's first single.

“It felt kinda reminiscent of some of the old stuff,” Brown said. “Even Roy Orbison-type melodies. But still, a little bit of a punk thing in there. It just felt like a good first introduction, a first impression.”

"They're old-fashioned... Boasting huge sounds and epic gestures, this bunch of 50s throwbacks are on a mission to be 'bigger than Bono,' Paul Lester reported in the Guardian. "You hear the line 'the major labels are going mad for them' a lot these days, but with Mona you can believe it."

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