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Brandon Flowers summons desert spirits on "Flamingo" PDF Print E-mail

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NEW YORK (Billboard) - While embarking on a solo career, Brandon Flowers has made it clear that his band, the Killers, isn't breaking up.

In fact, the singer says that the point of "Flamingo," due September 14 on Island Records, was to deliver these songs to the public so that his group could eventually return to creating as a cohesive unit.

"Of course, some of ("Flamingo") could have made for great Killers songs," Flowers says, "but I wanted the next Killers record to be a very strong collaboration. That's when we're at our best."

Instead of a vanity project or a means of separating Flowers from his platinum alt-rock act, "Flamingo" is the sound of the frontman's creative juices flowing while the rest of the Killers -- guitarist Dave Keuning, bassist Mark Stoermer and drummer Ronnie Vannucci Jr. -- took a break from the studio.

From the haunted stomp of "Only the Young" to the lonely falsetto of "Playing With Fire," "Flamingo" (named after Vegas' Flamingo Road) sounds like a more personal riff on the Killers' sound. Flowers, however, sees the album as an homage to his hometown and its barren surroundings: He says he wanted to "summon the spirits of the desert" on the album. "That's where I'm from and that's what I want to represent," Flowers says, "so I feel like it's my duty to conjure the spirits up with the music, and I do the best that I can."

He might downplay the solo effort as an intimate experiment between Killers discs, but fans of the band are certainly taking notice of the stopgap. The singer sold out his first solo show at the Hilton's Shimmer Room in his hometown of Las Vegas on August 15, and first single "Crossfire" is No. 16 on Billboard's Rock Songs chart.

After the Killers finished their third album, 2008's "Day & Age," Flowers started writing new songs intended for the group. Throughout the next 18 months of touring, including headlining slots at Coachella and Lollapalooza in 2009, Flowers says he would "duck into the studio every now and then and record ideas" during brief breaks on the road.

As the Day & Age tour continued, however, seven years of nonstop work had left Flowers' bandmates craving some downtime. The decision that the singer use the songs for himself after the tour seemed to work for everyone, and Flowers approached Island about a solo album during the summer of 2009.

"The songs were just there, and I decided that I'd be the delivery man," Flowers says, adding that the band was very supportive of the idea.

Flowers brought the new songs to his Battle Born studios in Las Vegas early this year, with "Day & Age" collaborator Stuart Price signing on to produce along with Daniel Lanois and Brendan O'Brien. All three producers helped make up Flowers' backing band, and Rilo Kiley's Jenny Lewis stopped by for the midtempo pop duet "Hard Enough."

After a European run, Flowers will return stateside in November for a national tour. And when the buzz around "Flamingo" dies down, Flowers will return to his refreshed bandmates and work on album No. 4.

"It's inevitable," he says. "2011 is going to be the time that I'm sure it will happen."

Last Updated on Monday, 13 September 2010 08:09
 
(UK)

Newsflash Archive

When Suede releases The Best of Suede on November 1, the album will not be its last. As reports of the 90's Britpop group working on new material and of a new record deal with Warner Music Group remain unconfirmed, a spokesperson revealed that the band has "found some rarities and unreleased material."

In response to fans' questions on Suede's website, the official said that the songs found are "just not right for this [The Best of Suede] release" and that "perhaps they will get an outing at some point."

"I can confirm that there is not a bonus disc available," she added later in the thread. The double album will also be available as a download, with a bonus filmed interview included through iTunes featuring founders Brett Anderson and Mat Osman.

Taking its name from Morrissey's "Suedehead" single and officially known as the London Suede in the United States, British music weekly Melody Maker called the group "the best new band in Britain" in 1992 - before they had released even a single. Suede "have it in them to be just about the most extraordinary, intelligent and potentially enormous guitar band this country has seen in a decade," Q Magazine said.

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